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Minnetonka Living Room and Sunroom

Minnetonka living room and sunroom
Photo courtesy of GunkelmanFlesher
A basic linen white palette acts as canvas for antique ornamentation, indigo and violet accents, and brief punctuation of contemporary art.

November 2006

By Melissa Colgan

Designer: R. Thomas Gunkelman, ASID
Firm: GunkelmanFlesher Interior Design, 81 S. 9th St., Ste. 340, Mpls., 612-333-0526

Patriarch of Twin Cities interior design Tom Gunkelman found challenge in the conjoining living and sun rooms of a fifteen-year-old builder house in Minnetonka: How would he reconcile the sensibilities of traditional furnishings, contemporary art, and modern architecture, while staying true to the personalities and needs of the homeowners? Gunkelman answered the question brilliantly by flanking the basic linen white palette with animated antiques and contemporary accents. “This,” Gunkelman says, “showcases the great collection of pieces from the homeowners while keeping the basics soft.”

Both rooms start with a neutral base palette of taupe gray and linen white in varying textures. In the sunroom, Gunkelman inserted bold accents—a supple sofa reupholstered in textured eggplant fabric; antique Oriental pieces in indigo and white. In the living room, he added contemporary punctuation with a Lucite table and two lounge chairs. The prominent placement of two “little perchers” carries out the antiques theme. Organic basics and elegant accents are brought together on the sunroom’s walls—which are upholstered in floral fabric by French textile house Manuel Canovas—and in the floor-to-ceiling sheers that drape the windowed wall.

Gunkelman is known for his keen eye, and his talent is visible in his combination of a seemingly disparate collection of good-boned antiques and contemporary art and furniture. He has bravely mixed varying woods—from fruitwood to lacquered black—and reupholstered the accent seating in shades of soft white and varying textures. The space is lofty and cozy—and dramatic. With oversized floral wall coverings, a grandiose window on a smaller wall, and high ceilings with tiny accents, the space becomes as much a showcase for fine antiques and contemporary art as it is a study in skillful scale.

We Asked Tom

With all that is available to a consumer these days, why should we hire an interior designer? It is a  simpler solution for clients. Because we’ve been in business for so long, we have a great backlog of knowledge and we can work quickly. We are a well-oiled machine.

How should homeowners incorporate design elements so that multiple spaces are congruent, yet true to their individual purpose? It is a matter of starting at one point, like the color palette. You can manipulate that and pull it throughout the house.

When a client is redesigning a room, where should she/he start for inspiration? It is very helpful to go through magazines, tearing out pages you like. Even if there is no connection, we [the designers] at least know where the client’s head is. It also helps give direction to the space, even if you can only do one thing at a time.

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